Out now:



Kurgan "Ascetic Dissociations" LP

"Kurgan debuted on the 'Even Biology is Revolting' compilation with dark, circumspect pagan black metal that stood apart from other styles on the tape, focusing on swaying mid-paced hypnosis under vocals equal parts tormented and tormenting. This LP builds on a similar foundation but elaborates with a wider range of keyboard-accented melodies and deep flourishes that don't simply dwell in the abyss but build a latticework of organic matter within it, showing the abyss to be fully inhabitable for certain types of life.

Kurgan has qualities that may appeal to fans of black metal's more morose and drooping branches, but self-destruction here is balanced by a condescending swagger and cutthroat confidence that moves with upright posture and melodic power unavailable to the boring minds of self-professed 'depressives' -- this music is whole and it corrects the incorrect while committing crimes of its own liking. The record can be appreciated for its atmosphere alone, a worthy echo drifting from one room into another, or it can be inspected more closely for underlying details that emerge from repeat listens. A distinct and long-awaited addition to the CW Productions catalog from a songwriter deserving of vinyl representation."

CW Productions is proud to present the debut album of Kurgan, presented on 180 gram black vinyl with pro-printed insert. Mastered for vinyl by Harald Mentor.

Long awaited vinyl pressing of the sold out CD available now!

"Hollow, swirling strings awash with thundersnow synth... hailstorm rhythm computer and a wolf's call ravening for blood. Six mysteries bound by war and grief, romance and myth. A decade's culmination of great work wrought by ancient, crimson-stained vehemence - and a new era's genesis."

CW Productions is proud to present the debut album of Grizelda. This vinyl edition is pressed on 180 gram black vinyl and includes a large double sided insert. Mastered for vinyl by Harald Mentor.

Out now:



Avox "Desolate Land" CD

New distributed title:



Subterranean "Monuments Unknown" tape

Out now:



Grizelda "A War Drenched in Fantasy" CD

Available now:



Kestrel "Primordial Remembrance" CD

After selling out two pressings on cassette, Kestrel's 2019 album is now available on CD, relelased by Klaxon Records. Mastered for CD by Harald Mentor. A journey through steppe and woods to awaken crystalline vision, following the broadcast of celestial forms and the voice of blood.

New distributed title:



Subterranean "Eltanin" pro-tape

Out now:



Grizelda "Grizelda" CD

"Hollow, swirling strings awash with thundersnow synth... hailstorm rhythm computer and a wolf's call ravening for blood. Six mysteries bound by war and grief, romance and myth. A decade's culmination of great work wrought by ancient, crimson-stained vehemence - and a new era's genesis."

CW Productions is proud to present the debut album of Grizelda. Originally intended to be released on vinyl LP, we have decided to release a limited CD version due to the current delays with vinyl production. LP version will be released in 2022.

Out now:



Grand Mood "Final Urge to March / The Trench Between Black and White" CD

This CD collects the Grand Mood discography, properly remastered, including the "Final Urge to March" cassette EP, "The Trench Between Black and White" 12" EP, and an unreleased rehearsal track featuring HWGT of Bone Awl on vocals. Grand Mood was a short-lived black metal band in 2007-2008 featuring Furdidurke members on guitars/vocals and HWCT of Bone Awl on drums, with production and assistance by HWGT. This collection of unique melodic black metal is essential to understanding and appreciating what was happening behind unlocked but tightly-closed American doors during the mid-2000s. As a Finnish 'zine stated, the music has "the taste of danger."

New distributed title:



GLA "Private Recordings 2006-2008" pro-tape

"GLA, an acronym that remains undisclosed, was based in Washington and began in 2005, with recording sessions shared informally in private. The A side of this cassette includes a three-song demo from 2006 as well as a rehearsal track, while the B side includes three songs recorded between 2007 and 2008. Both sides are stripped down, fundamentalist black metal that covers different ground, with the A side showing obvious Ildjarn influence in its own memorable way and the B side sounding like a long-lost primitive melodic black metal demo, which is exactly what it is. This side project was one individual's celebration of natural black metal, nothing more and absolutely nothing less, and time has made it relevant for release. The performance is filled with a ferocious purpose from beginning to end."

Out now:



Cirrhus "Unimpeachable Madness" tape

Factory made tape edition of the sold out LP. Presented in a special fold out cover featuring lyrics and artwork from the LP, with a new layout adapted for the format. This tape version includes an instrumental rough mix of the album on the b-side, created during the recording process.

"These six songs of unique American black metal were played live and rehearsed for many years before receiving a relatively clear and up front recording still washed in hallucinatory shadows, with the music and lyrics being the culmination of the band members' individual darkness and entry into life as part of a silent yet intimidating universal force. Twin guitars playing dynamic black metal melodies with powerful bass and drum details, highlighted by shining keyboards and vocals from the deep philosophical abyss. Not intended as a concept album, though there is a consistency running through the album that became a story of opposition to common human experience, destructive rejection of the environment and nature, undefinable psychic perversions, and in the end a beautiful form of cosmic ascendancy and violent zen through the embrace of complete, unimpeachable madness."

Out now:



Circumventor "Norton X" CD

CW Productions is proud to announce the release of Circumventor's unreleased album "Norton X". Licensed courtesy's of the band via Fog Foundation, with new artwork and layout by the band and remastered for CD by Harald Mentor.

Circumventor is a Sicilian band playing a distinctive and original style of symphonic black metal with progressive and experimental touches. Active since 1995, they released a few demos in the mid-90s, with their activity culminating in the "Norton X" sessions. "Norton X" was recorded and mixed in April 1999 for promotional purposes only and was never released to the public. After this album, produced simultaneously with the demo "Deceptive Superior Dreams", Circumventor returned to the realm of shadow, waiting for the wind to bring them back.

Stay with an open eye waiting for Klanta.

Also out now:



Doublesion "Lydian" pro-tape

Doublesion is a project of Circumventor vocalist/bassist Fullmoon, with "Lydian" being the debut release. "Lydian" was recorded during the "Norton X" recording session by Fullmoon to express the other side of him musical personality. This is a reissue of the demo on pro-tape with the original artwork and layout. On this demo, Doublesion plays experimental electronic music, synthesizing ambient and techno. Later Fullmoon formed a full lineup and the band went on to play electronic infused death metal.

Fullmoon adds that "Lydian is Klanta's sister who, having found the Norton (represented on the cover), manages to pass into the fourth dimension and live in the electronic world that pervades it. There is no more news of her".

Out now:



Kestrel "Primordial Remembrance" tape

Recorded between 2010 and 2017, the follow up to “Weather Eye” was carefully planned as a whole, the band working during only the most auspicious times and isolated moments of burning clarity. A walk through the wilderness cutting down illusion; a journey across the high steppe awakening crystalline vision. The album follows the broadcast of celestial forms and the voice of blood through a mixture of atmospheric instrumental fragments, field recordings and incisive, severe black metal, tied together as always with an idiosyncratic melodic approach.

Released on pro-tape with full color, double sided fold out cover.

Out now:



Trollheim "Im Heidenwald Elfgaards & Ensomhet" LP

“In Elfgards heathen forest, intoxicated by henbane and belladonna, undertake a journey into the unconscious with Grausetrude Bettinger and accept the loss of reality through the poison of the gods…”

“Im Heidenwald Elfgaards & Ensomhet” collects the two tape releases by Trollheim, an electronic music project by the Black Son of Darkness of Grausamkeit. Originally released in 1999 and 2000, these recordings are a trek through the darkest parts of the soul. The first side of this LP consists of two extended tracks of sweeping, ancient synth meditations that pull the listener deeply inward, occasionally exploding with BSOD’s gloriously idiosyncratic melodic flourishes. On the second side is a collection of shorter pieces featuring distorted synth and drum machine-driven medieval hymns that invoke the pain and ecstasy of herbal psycho-sorcery and non-ordinary reality.

All audio for this LP was sourced from the original master tapes, with enhancement by C. Thompson, providing for the highest quality versions of these recordings possible. Adhering to the original aesthetic of the releases, all layout elements for the jacket and double-sided insert are sourced directly from the tapes.

Out now:



Grizelda "A War Drenched in Fantasy" tape

"These six songs of unique American black metal were played live and rehearsed for many years before receiving a relatively clear and up front recording still washed in hallucinatory shadows, with the music and lyrics being the culmination of the band members' individual darkness and entry into life as part of a silent yet intimidating universal force. Twin guitars playing dynamic black metal melodies with powerful bass and drum details, highlighted by shining keyboards and vocals from the deep philosophical abyss. Not intended as a concept album, though there is a consistency running through the album that became a story of opposition to common human experience, destructive rejection of the environment and nature, undefinable psychic perversions, and in the end a beautiful form of cosmic ascendancy and violent zen through the embrace of complete, unimpeachable madness."

Vinyl version of the second full length from Cirrhus. Black vinyl, full color jackets with two inserts and polylined inner sleeve. Different master than the CD edition, mastered specifically for vinyl, resulting in a slightly less compressed and more detailed sound. Lacquer mastered and pressed in the USA.

Long-planned collection of exclusive American black metal featuring Cirrhus, Bilirubin, Furdidurke, Eunuch, Inhuman Humor, Kestrel, Kurgan, Taut, and Amofas. Unique and grandiose melodies, private atmospheres, and a variety of approaches to the underground black metal ideal. From rough rehearsal quality to relatively clean recordings, this collection of previously unreleased songs represents a powerful undercurrent in USBM over the past 13 years that was previously only exposed to a select few. Professionally made tapes and j-card with attached booklet featuring art and notes for each band.

'"Even Biology is Revolting Despite its Natural Appeal" was the opening phrase of a ranting 2005 manifesto accompanying a Furdidurke poster included with select copies of the Klaxon Records-affiliated "Fall to Your Knees Pissing" 'zine #5. This youthful, hissing text was a product of that time and today it both amuses and reminds us of why we began creating this music. The rant closes with the line, "Feral black metal psychosis, echoing sickened melody..." and this is still what we do with our music 13 years later, with some of the same primitive ideas in practice as well as evolved new ones.

We have never considered ourselves a "circle", "horde", or "cult", as many regional groups of bands have over the years. What began with Furdidurke and Taut was simply individuals who were humble in their self-grandiosity, not looking to make a quick identity for themselves, but to create unpolished and immediate black metal not unlike our influences and to strip ourselves down in order to honor the spirit of what we hoped to accomplish. We have never found a place among underground scenes or trends, then or now, and those we have associated with outside of our own bands simply crossed our path through a similar will, though on a different path. Even within our own bands the individual members are also on their own, though we share creative and philosophical visions that range from destructive and paralyzing, to empowering and intoxicating. There is an undeniable organism at play but like the title of the compilation would suggest, this is not something we embrace beyond its inevitability and even in the glory of proud collaboration there is a feeling of disgust and other similar double-binding effects.

We are all connected in mutual influence and there is an understanding that allows us to be as open or closed to one another's ideas as we naturally should be. The same can be said for all of the music on this collection, be it collaborative or independent. Like Odin, we don't simply play different parts in our personal lives, we wholly become each different one in order to execute as effectively -- or poorly -- as possible in every situation. This is true for work, friends, family, kindness, humor, as well as "black metal approved" coldness, hate, self-destruction, and misery. It should be no surprise that even our best interactions are tortured, our addictions are plenty, perversions amplified, and narrow-minded attitudes are championed alongside the open and good in our lives, and we can embrace any of it at will when the moment strikes. That's what our discipline allows us.

We have always rejected a certain type of orthodoxy and mimicry in black metal alongside forced "experimental" ideas that try too hard to "rebel" against black metal traditions, preferring a balance but not one that is measured beyond intuition. The greatest black metal has always come from those who push the boundaries naturally and mutate underneath while honoring the essence. We could call our music anything but there is a reason we still strive toward the black metal ideal.

The world has changed and we have changed since 2005 and not all that was important then is important now, but much of it is. "Even Biology is Revolting Despite its Natural Appeal." Biology is still revolting. Not to say there isn't beauty in the wretchedness of being a living being on a planet that quivers with the crawling movement of every other living being. Our music has been called "raw", but there is no denying the powerful and unique melodies we create. The "sickened melody". We don't deny the beauty and never have, but we must face the ugliness every day.

This collection of bands and songs has been planned for many years and this music has circulated among select individuals. It has been celebrated privately and is so familiar to us that we forget only a small glimpse of our work is represented in the world. This collection of raw and refined matter too is a small glimpse, as there always is and was more. Don't assume anything about us. Don't be more revolting as a biological being than you naturally are, and even then strive to be less of an object of disgust.'

Eunuch didn't evolve but temporarily atrophied, coming from stripped-down primitive melodic black metal and expanding into lush and clear electronic music, at least for this recording. This cassette from winter 2013 is a 30-minute full-length of dark and memorable songs that could be called electronica or another genre but the band is unfamiliar with most of that music and this is simply an intuitive creation of electronic melodies and rhythms that capture the same core sensations that influenced the earlier incarnation of the band. However, it is not "electronic black metal" or anything like that, nor is it "innovative" or overly experimental... it operates in its own grandiose and majestic psychic space, directing simple triumphs from the deep shadows of a life lived and unlived a thousand times inside of itself.

Primitive but grandiose instrumental black metal without ornamentation, only insane melody and burning ideas by hardline believers. Countless riffs folding in and out in an atmosphere of true "downhome paganism", free of most outside influences and full of sabotage. Released to the public for those who were profoundly affected by recordings like the early Graveland and Fullmoon instrumental rehearsals and other obscure, unaffected recordings in that vein.

Two songs from 2005/2006 from Inhuman Humor, one a thin blade of scathing melody and the other mid-paced, old school pagan black metal. Cirrhus offers a different version of a song from earlier in the decade, this time with soaring keyboards. A split of pure black metal spirit with full-color artwork by a band member.

Two tracks of stately and ardent symphonic black metal from this new band hailing from Quebec. An impressive first offering from Continental, the songs are driven by powerful euphonious synth lines, punctuated smartly by graceful drumming and feature striking vocals that alternate between demonic howling and divine chanting. The sublime dark atmosphere recalls the early days of bands such as Dimmu Borgir, Arcturus and Ulver, though this demo makes its own unique, genuine mark in a genre all too flooded by pastiche and imitation. It is worth noting that the band shares members with Pâlemort, but Continental easily stands entirely on their own merit.

“Identical Hallways” contains early versions of songs from the upcoming LP entitled “Unimpeachable Madness”, to be released by CW Productions. Captured during a time of transition for the band, this previously unreleased session from the fall of 2011 was pulled from our archives to mark the 10th anniversary of Cirrhus.

Cirrhus formed in the fall of 2007 during a time when Furdidurke had become dormant and in between the two sessions of Grand Mood. Cirrhus initially arose as a channel for the compositions of CW, with members Poisoner, Kinvig and Bizarre Culprit joining over time, each adding their own strong contributions and forming the first full incarnation of the band. This tape represents the end of that phase of the band, marked by lineup changes after the recording of the first LP. It is also the beginning of the next era, with new songs being recorded during this session for the first time. One of the constant themes of Cirrhus since the beginning has the been the exploration of the infinitesimal, the occult regions beyond the range of normal existence and the hidden sounds revealed between notes. This recording reflects that in its “microscopic” style sound and is a statement about both the past and future of Cirrhus.

Limited pressing on professionally made cassette only, once again featuring inspired artwork by Bilious Pious.

Cirrhus' self-titled album from 2013 has been released on CD by Finnish label Bestial Burst. Contains an updated layout, one new piece of art (on the CD face) and a new master by label boss Harald Mentor. Copies are available through CW Productions and all distributors of Bestial Burst titles.

Five song demo presenting live rehearsal versions of songs from the upcoming Nefaria full length. For the first time the live lineup of Nefaria has been documented, whereas all previous releases were recorded by Moxibustor alone; the live session members make strong contributions on vocals and drums, allowing Moxibustor to focus solely on guitar for this release.

These recordings mark the beginning of a new era for the band, showcasing an intricate melodic style honed by many live shows over the past few years. Recorded the traditional way straight to cassette and mastered by C. Thompson, this is the best sounding Nefaria recording thus far. We highly anticipate the coming debut album, which will be released by CW Productions later in 2017.

Released by Forensic Diatribe. Distributed by CW Productions.

"CW Productions is proud to present, in cooperation with Darker Than Black, a vinyl edition of Bagatur’s glorious 2010 EP. Long sold out on tape and CD, this 24 minute LP of pagan black metal symphonic art conjures an atmosphere of ancient battle and long lost European honor. This is a perfect companion album to Aryan Art’s 2015 masterpiece 'Harmony Eternity Universe', both albums yield a similar epic yet introspective tone.

Musically Bagatur touches upon raw symphonic black metal in a style reminiscent of the old synth-driven cults of Parnassus and Kristallnacht. Band leader Alexander contributes percussion, synth and guitar while vocalist Yanga conveys the archaic spirit of Bulgarian history with powerful yet feminine shrieking and spoken word passages, as well as creating all artwork, providing a cohesive spiritual offering."

Black vinyl, professionally printed jackets, A4 lyric sheet. Limited edition.

"A 2009 demo rehearsal of black metal in the Cirrhus style, equal parts feral and grandiose. Some of these songs are entirely unique to this release while different versions of other songs on the release can be found elsewhere. While Cirrhus has stayed similar in overall style and attitude 7 years later, the original tape release of this is a low-key benchmark of psychotic melodic black metal that sits on its own and deserves to be heard on another format."

Limited to 250 copies. Released by Final Agony Records.

"The name Grand Mood, as the first cassette EP stated, is not in reference to a positive state of mind or a 'good' mood. The Mood is the collective headspace, the psychic pool, shared by humanity and possibly other creatures. Grand in this case means sweeping and all-encompassing. It is my belief that this Grand Mood is something that can be tapped into for a variety of reasons, be it for greater awareness and inspiration or something ugly, low, and self-serving. It gives me inspiration but it also reinforces my hatred and reminds me of the limitations of life.

Occult phenomena existed long before there were words and symbols to describe them, so to use someone else's words and imagery because it is 'traditional' or 'orthodox' is not creative and thus has no relationship to me as an individual. With this music and art we are not trying to create ideas and symbols for others to use, either. It is simply our interpretation of ideas as we have experienced them; the interpretations and experiences of others are of no consequence to us. This is ours, nothing more and nothing less.

The earlier 'Final Urge to March' cassette EP was recorded in California in summer of 2007 without pretense. I was inspired to write these songs after years of discussion with fellow members of Furdidurke and Eunuch, as well as the members of Bone Awl. The music and lyrics simply materialized. We from Furdidurke played guitars while Bone Awl members played drums and engineered the recording.

This second session was originally recorded on reel-to-reel in Washington state a few months later, January 2008, with the music being the natural continuation of the first session. The negativity that comprises so much of the Mood was already setting in and due to various circumstances the recording was not able to be released until now. 'Final Urge to March' was the first and 'The Trench Between Black and White' is the second and last. There is nothing else before, between, or after this in the lifespan of Grand Mood.

Musically, Grand Mood was inspired by ourselves and 90s No Colours Records, little else. Cold, hateful vocals over unique melodies and anthemic rhythms. 'The Trench Between Black and White' is the lifting of the psychic sword overhead, held in a statue-esque freeze, a look of wide-eyed mania on our faces... begging you, just begging, for you to put your head underneath our blade. Will we ever swing it?" - BC 6/1/2016